Kailasanathar Temple at Sunrise in Kanchipuram 2016-11-20

Welcome back to Big Mountain Photography where my photographic journey continues with a sunrise visit to Kailasanathar Temple in Kanchpuram.

Note: Red-colored, underlined text is a link for more information, i.e. Wikipedia, YouTube, Map…

I’d appreciate your patronage in following via email alerts, i.e. FOLLOW button RH side as “I no longer post images in Facebook“.  Note: You can right-click to “open the image in another tab” to view in a larger size / resolution, right-click to download if you heart desires…  your call.

As I listen to Petula Clark – Who? Yes, Ms. Downtown herself; I thought I’d finish off this post given I’ve been waiting for my film scans from The FIND Lab in UT, US.

It’s a 3-week turnaround from mailing to downloading the TIFF files at 98Mb each, i.e. that’s medium format at 4x the size of a 35mm.   The FIND Lab does an excellent job film processing and delivering scans with helpful guidance for correcting errors and/or enhancing images.

For my Image Gallery, I’ve combined both analog film (something special about that non-random grain) and digital mirrorless images for your viewing pleasure.

Note: (1) I’m driving standardized workflow with the using titles for each image as a prelude to Photographic Salon Competition and (2) At the bottom of the page, I’ve included an Opinion POLL.  Feedback appreciated.

Image Gallery


1) Guardian Lions – Analog Film (Kodak Porta 400H): Applied a Sepia tone from


2) Guarded Dancers – Analog Film (Kodak Porta 400H): FIND Lab mentioned to shoot this ISO 400 film at ISO 100 (2 stops of extra light) as this film is “light hungry”.


3) Walled Off – First Analog B&W Film (Ilford HP5):  Found out from my friend John that due to the shallow slope of the toe of the Stop-curve for this film (looks like an S-Curve) that Zones 8-10 has little tonal separation in the darks.  Suggested Ilford HP4 or Delta instead, i.e. on my list.  Have a look at John’s FB images – spectacular images as he sculptured with strong tonal separations.


4) Guardians at Attention – Digital Fujifilm Trans-X Image: If it’s old, a Sepia-look may be appropriate.  I like here.

Side Bar: I used Iridient Developer for the Fuji RAW files.  Iridient is a new RAW processor I started using in place of Lightroom to stop, minimize the muddy look of the details with LR. Fuji RAW files are X-Trans in design unlike all other sensors using a non-random Bayer design

Bayer Sensor Design (R-G-B)                                         Fuji X-Trans Sensor Design



5) Blue Hour Walls – Digital Fujifilm Trans-X Image: At the “Blue Hour” of sunrise, looking opposite the sunrise reveals a powerful sky.


6) Weaver – Digital Fujifilm Trans-X Image: Stopped to cruise the streets of a small village and as one would expect there’s a story around every corner.  Here many of the streets were lined with weavers at work.


7) Moonlit Temple Tower – Digital Fujifilm Trans-X Image: As the sun rises the moon sets.  On 12/14 there is a “Super Moon” and I’ll be there capturing it this time.  Missed shooting the last full moon.

POLL on the Use of Borders

I’m still shifting my LH logic side of the brain over to the RH artistic side with the addition of frames.  Ever see an old master’s image without a frame?  No, the frame is part of the total presentation.